Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Diego Velazquez Three Musicians oil painting


Three Musicians
Gemaldegalerie, Berlin
Painting ID::  741
Diego Velazquez
Three Musicians
Gemaldegalerie, Berlin
   
   
     

Diego Velazquez Philip IV in Army Dress oil painting


Philip IV in Army Dress
1644 Frick Collection, New York
Painting ID::  743
Diego Velazquez
Philip IV in Army Dress
1644 Frick Collection, New York
   
   
     

Diego Velazquez Mercury and Argus oil painting


Mercury and Argus
1659 Museo del Prado, Madrid
Painting ID::  744
Diego Velazquez
Mercury and Argus
1659 Museo del Prado, Madrid
   
   
     

Diego Velazquez The Infanta Margarita oil painting


The Infanta Margarita
Museo del Prado, Madrid
Painting ID::  745
Diego Velazquez
The Infanta Margarita
Museo del Prado, Madrid
   
   
     

Diego Velazquez Philip IV-g oil painting


Philip IV-g
1653-55 Museo del Prado, Madrid
Painting ID::  746
Diego Velazquez
Philip IV-g
1653-55 Museo del Prado, Madrid
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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